And then suddenly there was snow EVERYWHERE: Beautiful trees covered in snow, snowy rivers and ponds, and then of course snowy little villages—we even saw some bunnies frolicking in the snow! It really made the trip magical. Each icy new vista was so exotic to this SoCal native that I barely even looked at the Internet. (Oh yeah: They have WiFi on the Eurostar. It can be spotty.)
(Bunnies not pictured)
Forget the snow—what’s with the giant ghost hand hovering over this lake?
I sure hope this doesn’t say something dirty in French…
And then we were at Marne-la-Vallée/Chessy Station!
I got a little flummoxed inside the station. Everything I’d read just said, “Walk straight out of the station and Disney’s right there!” But the station is a big rectangle with an exit on each side, and all I could see out any of them was WHITE. I was so worried that we would go out the wrong exit and be miles from where we needed to be, that I led us to each of them and poked my head out to see if it was the right one. Meanwhile Patrick is behind me going, “Why don’t we just follow, like, EVERYONE ELSE out
that door?”
So here are the simplified directions in case it is also a snowy mess when you get there or you’re just as flappable as I am…
1. When you get off the train, get on the escalator up to the main concourse. These only go one direction, so this is the easy part!
2. At the top of the escalator, turn to face the exact opposite direction and start walking toward the same exit everyone else is heading to. Ignore all other exits!
3. This is what the correct exit looks like.
Right as we exited the station, I got confused AGAIN because I saw a sign that said the
Disneyland Hotel was to the right and the parks were straight ahead. I don’t think it was entirely unreasonable of me to assume we should go to the right because we were headed to the hotel, not the parks.
We bumped our suitcases along the tiny path cut through the snow as everyone else from the train headed toward Disney Village and the parks (another clue I missed). The gate looked pretty closed, but there was a doorway open off to the right.
And in that doorway was the only rude person we ever met in France, a brusque security guard who shouted at us, “No! Go back!” etc. until we understood that this was just the entrance for cast members; we were supposed to walk all the way back to Disney Village to enter. Even though the sign said THIS was the entrance to the hotel. And I—knowing only the manual bag checks at the American parks—could not fathom how we would get through the security check at the entrance to Disney Village with our ginormous suitcases without incurring the wrath of hundreds of people behind us as the guards meticulously combed through our three weeks’ worth of underpants and stuffed corgis.
Now, three months later, I think I have it figured out: I’m gonna say that this normally IS the entrance to the hotel, but it was closed due to the snow. Just to make myself feel less dumb!
ANYWAY…. This is where we were supposed to be:
Looking back toward the super-under-themed train station, on the left, and Disney Village, on the right.
If I’d been more observant, I would have noticed that we weren’t the only people with ginormous suitcases. Because it turns out Disney has airport-style X-ray machines at the security checkpoint for you to send your luggage through.
Finally we were in the right place and headed toward the Disneyland Hotel. We took forever to get there because we had to keep stopping and taking pictures of all the gorgeous snow all over everything.
This area is called Fantasia Gardens and was designed by Tony Baxter to include the water, fountains and gardens of
Fantasia. (Trust me, they’re all there under the snow!) And because he is a GENIUS, the path has you winding through a peaceful, snowy forest until you go around a bend and then WHAM! This happens!
Believe it or not (those of you who’ve been, don’t spoil it for the others) THIS is the main entrance to Disneyland Park! But it is also the Disneyland Hotel! >mind blown< I mean, OK, we stayed at
Hotel MiraCosta in Tokyo DisneySea, but that one you don’t really see until you’re inside the park.
The story goes that the Imagineers thought it would be cool to have the façade of a Victorian hotel above the entrance to Disneyland Paris. But Michael Eisner was like, “Why not just make it an
actual hotel?” (on account of it’s pretty expensive to build the fake shell of a hotel already). But, because this was to be one of the largest hotels in Europe, the Imagineers were worried that it would dwarf Main Street. So they added a ton of intricate detail to make it appear smaller from inside the park. They also put a big Mickey clock on the front to make it less imposing, and John Hench decided it should be pink because white and black were not as warm and friendly. Bless John Hench!
To get into the park you take one of the two sweeping paths hugging the lake and enter what looks like it should be the hotel’s grand entrance.
Here are some shots Patrick got on another day to give you a better idea….
I knew from my research that, by contrast, the entrance to the Disneyland Hotel is pretty obscure. I was able to find it by poking around for something that didn’t look very much like the grand entrance to a flagship Disney resort.
At Tokyo Disneyland, this would be the service entrance!
There is a slightly grander entrance around the corner, but you only see it if you arrive by car.
As has been copiously documented by the Internets, the lobby of Paris’ Disneyland Hotel is kind of underwhelming compared to those of the other Disney flagship resorts around the world. It feels like the lobby of a Disney Vacation Club wing at Walt Disney World. I think the Imagineers just tried so hard to make the hotel seem less imposing that they did their job a little too well.
May I take home the adorable French toddler playing with the red ball as my souvenir please?
The one thing in the lobby that
is imposing is this ginormous fireplace! It’s almost like they started here and then ran outta money to decorate the rest of the lobby…
Michael Eisner: “I decree that the lobby shall have a massive three-story fireplace, and it shall be made out of four kinds of marble, with every architectural flourish recognizable to the common American….”
“… And the mantel shall surround a ginormous Victorian painting of Main Street, circa 1892. And it shall be executed with every color known to the Ink & Paint Department. And the guy on the white horse shall look like me, only younger and cuter…”
“…And the rest of the lobby—”
Pencil Pusher: “Eisner, you’re outta dough!”
Eisner: “—shall have the carpet of a Ramada and a shabby-chic chandelier I’m getting rid of at my country home…”